本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

In 1918, right after the Russian Revolution, the highly gifted student Lazarus Lindt comes to Moscow carrying with him nothing but lice and a notebook. The Women of Lazarus tells a big part of Lazarus' life story, following three important women in it: his mentor's wife, his own young wife and their granddaughter. Set against the background of the twentieth century, Moscow and ...(展开全部)

In 1918, right after the Russian Revolution, the highly gifted student Lazarus Lindt comes to Moscow carrying with him nothing but lice and a notebook. The Women of Lazarus tells a big part of Lazarus' life story, following three important women in it: his mentor's wife, his own young wife and their granddaughter. Set against the background of the twentieth century, Moscow and ...(展开全部)

A dystopian tale of a power struggle between the sexes in the post-nuclear future, perfect for readers of Margaret Atwood and Ursula K. Le Guin. After a nuclear holocaust, women rule the world. Using advanced technology, they’ve expelled men from their vast walled cities to roam the countryside in primitive bands, bringing them back only for the purpose of loveless reproductio...(展开全部)

The bestselling classic that redefined our view od the relationship between beauty and female identity. In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, however, writer and journalist Naomi Wolf is troubled by a different kind of social control, which, she argues, may ...(展开全部)

The bestselling classic that redefined our view od the relationship between beauty and female identity. In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, however, writer and journalist Naomi Wolf is troubled by a different kind of social control, which, she argues, may ...(展开全部)

Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar

Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar

威廉·弗卢塞尔（Vilém Flusser），巴西籍哲学家、媒介理论家，1920年出生于布拉格的犹太家庭，第二次世界大战爆发后经英国流亡巴西，1961年后以葡萄牙语、德语、法语等多种语言出版论著。他的作品包括《摄影哲学的思考》《技术图像的宇宙》《人类传播中的惊奇时刻》等。 译者李一君，华中科技大学新闻与信息传播学院讲师，中国传媒大学传媒艺术学博士。